All Nude Review!
You: Shouldn't that be spelled "revue"?
Me: Read on and see.
You: Are you not wearing any clothes right now?
Me: No, I am not.
You: Oh God! Why?!
Me: Because the heat cannot be beat.
You: Ugh!
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Luckily "You" does not exist, and you're all just figments of my imagination, so I don't care if you know that I'm sitting here in my nothings. You also won't care that I'm going to ramble about X-Men 3, which I saw the other day (y'know, because you're imaginary). However, if you didn't see it yet (even though you're figments of my imagination) don't read this post because it will spoil the movie (which is definitely worth seeing) for you.
First off, I should make clear that I very much enjoyed the movie, and even though I will talk about a number of negative things in here it's not to say that you shouldn't see the flick. You should. It's fun, and exciting and all that jazz. But there are some cons to these proverbial pros. It's a clear cut case of "They should have asked me what I thought before they went ahead and made the movie." Sigh, like always. Disgusted with me yet? No? Then read on!
The Cons:
Problem #1: The Ending.
This movie ends on what had the potential to be one of the more gut-wrenchingly empathy filled emotional climaxes of any film out there, and then they had to spoil it all by doing something stupid like a sequel! Magneto is no more. There is only poor Eric Lenscherr, a lonely old Jew who's been kicked around by just about everyone; he's lost his oldest friend (though it's true they were ideological enemies towards the end) and he's been robbed of the only thing that set him apart. So he sits in front of an empty chair and a chess set, trying to move the metal piece. Could anything be more movingly pathetic? You feel for the guy in a way that you haven't felt for ANY of the characters, good or evil. And then Brett Ratner jumps out from behind a tree and screams "SEQUEL!" at you. How pointless. Why bother calling a movie "X-Men: The Last Stand" if you're going to throw in the possibility of a sequel? Not to mention the fact that there is no precident for this movie to have a sequel! How does he get his powers back? Why? In the comic books they set up this storyline where the "cure" is temporary and wears off over time, but there ain't none of that in the movie.
The "cure" for this ending: One line of dialogue during Warren Worthington II's press conference. "Our testing indicates that the cure is effective in 99% of all cases." There you go. Now you've set up the possibility that an exceptionally powerful mutant like Magneto could gain his powers back.
This leads us directly into...
Problem #2: The domino effect
You know how it's fun to watch intricate patterns of dominos fall over (a la V For Vendetta)? What people sometimes forget (and the writers and directors definitely forgot) is that someone needs to spend the time painstakingly setting up the dominos, so that the big pay off can be a BIG payoff.
Example one of two: Magneto's speech in the church about the humans "forcing" their cure on the mutants and the subsequent revealing of his concentration camp tattoo. This sequence would have had so much more depth to it if the order had been reversed. That way he's not just talking in some obscure sci-fi "not-too-distant-future" mumbo-jumbo, but making a profound social commentary by comparing the plight of the mutants with that of the Jews in World War II.
Example two of two: During Phoenix's huge freak out on Alcatraz Island Wolverine says "Get out of here! I'm the only one that can stop her!" What possible reason does he have to believe that? Certainly we find out that his healing powers help him navigate the shitstorm she's unleashing, but at the time there's no reason to believe he has an advantage over any of the other mutants. Couldn't Storm just as easily have zapped her with her new-found Galactic Emperor electrical powers? (more on her later). There are so many unexplained things in this movie that could have made sense with a miniscule bit of effort.
Problem #3: Cheeseball Writing
Now granted, I should have seen this coming, and the last two movies weren't exactly gems either, but this was overkill. Every single scene tried to have two or three "hero moments" or lines which would be quotable between friends who had seen the movie. For example: "I'm Juggernaught, bitch!" Completely inexcusable. Were they just trying to capitalize on the "I'm Rick James, bitch" phenomena now that Dave Chapelle is out of the picture? I know that stealing material is easier than coming up with your own (just look at the vast amount of content on this site) but jeez. This is an anonymous little inconsequential corner of the backyard of Internetland, not a major motion picture which millions of people will see.
Speaking of Juggernaught, the description of his powers is enough to make any high-school English teacher whip out the red pen and scrawl "awk" all over. "Once he gains momentum, nothing can stop him." Isn't this taken right from a government document? I'm avoiding making a jab at the American legal system right now, but come on. Have some sense of propriety! And don't let Dan Brown do your re-writes!
Moving away from Juggernaught, and back to the attempts at quotable quotes: Why on God's green earth would Beast say to Wolverine "I've heard you're quite an animal" unless it was (and it WAS) another attempt to create witty banter by having Wolverine quickly stab back with "Look who's talkin'." Why does Wolverine have a beef with Beast in the first place? Does he sense a rival in his quest to be the hairiest X-man? At least with Cyclops there was a reason for the animosity.
Problem #4: Character development
Or lack thereof, I suppose. That seems to be something that every reviewer has picked on, and with good reason. Of course the little bald kid can neutralize powers, but how? There is the briefest mention of an "electromagnetic field" which he creates, but so what? We'll buy the electromagntic field as his power. Hey, mutants have all kinds of crazy powers! Just look at Inertia Man! Oops, I mean Captain Physics. Sorry! I meant Juggernaught. But how does the electromagnetic field affect other mutants? We'll accept pretty much anything as long as you tell us! Just stop dazzling us with Beast's hand and hoping we'll forget that you didn't tell us anything!
Also, what was up with Prince/Emo Girl? Who was she? She was relegated to the background so much during the film that I didn't know she was a girl until damn near the end! And lucky she was wearing that fishnet outfit, or I still might not have known! Although now I know why there's a lack of good emo bands out there. She must have gone to one festival and really enjoyed it, and the rest is a groaner.
One other thing that I don't understand is Angel's relationship with his father. If Little Warren is trying to cut off his wings in order to please his father, why wouldn't he be willing to take the cure? And why is it suddenly "what you want," when the only indication that Daddy Worthington is not a loving father is when he says "not you" at the beginning? It seems much more likely that he would be pushing the cure on his son to stop him from mutilating himself (ie/ out of benevolence) than because he is ashamed that his son is a mutant. Look how well the father/son relationship worked in the second movie!
Problem #5: Halle Berry
She bitched and whined and threatened to quit unless she got a bigger part, and then when she gets it, she doesn't do anything with it! Although it's not all her fault. More lines doesn't necessarily mean better lines. And I shouldn't say she doesn't do anything. Because she must have practiced that walk until she had maximized the potential of every single wiggle her body could put out there.
Problem #6: Poor Directing
And this one's the kicker. Pretty much everything listed above can be directly (no pun intended) to this point. It seems like Ratner spent his entire budget on explosives and computer time and didn't leave enough for film. Thus he was forced to use the first take of every shot. Lines like "Not if I get there first" can work if you give them the proper set up, but if you rush them they come out... well, like they did in the movie. Plus, when setting up your shots, make sure that the location of every character is apparent, so that certain actors (Halle!) don't look like they're staring off into space, pontificating to no one in particular.
Ratner also seems to have forgotten that the older X-Men deserve as much as the newer ones. Sure, Beast is cool and hairy and blue, but do his scenes deserve more focus than Professor X? Ratner rushes scenes with the Prof, making for some unrealized moments which could have had incredible impact.
One other thing, though minor: Why would they take Jean to the medical room, strap her to a table, and strip her down to a tank top, booty shorts, and a pair of sensible flats? The underwear I can understand, but the sensible flats?
But that's not to say it's all that bad.
Like I said, I enjoyed this movie. I recommend you go see it. I recommend I go see it again with you. I'd like to! I enjoyed it that much, despite the above. I just feel like the movie did not realize it's potential. That said, let's end on a positive note by saying some nice things.
Nice Thing #1: Casting
The casting in these movies has been spot on perfect (with one exception). Kelsey Grammer as Beast? It was a given that he would be great! Though at times his tenure as a sitcom actor shone through, but I blame the script for that. Ellen Page as Kitty Pride/Shadowcat? (makes the Italian finger kissing motion) Muah! She's got the perfect look for the part; just young enough to fit in at a school, but just old enough to project confidence in her abilities. The one exception noted above was whoever they got to play the president. He looks like someone you'd cast as a comical shop owner in Charlie and the Chocolate Factory! But I've figured out why Hugh Jackman is so good as Wolverine! He plays the tough guy well because he's not a tough guy in real life (ie/ The Boy From Oz). If they'd gotten Vin Diesel or someone as Wolverine he wouldn't have been able to access the required emotion for some of the more dramatic scenes! Thank me for that incredible revelation in the forms of cash or cheque (with suitable ID).
Nice Thing#2: Racism metaphor
As mentioned earlier, Magneto's speech about extermination carried extra weight because of his religion (though that message was bungled slightly), and Professor X's likeness to Martin Luther King Jr. was excellent. I've tried, but there's not a lot more to say about this issue. It was well done, and Storm's eulogy at Professor X's funeral is one of Halle Berry's finer moments in the film.
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I'm sad they "killed off" Mystique. She was the coolest mutant by far, and not just because she insisted that blue was her colour throughout the trilogy, although that didn't hurt. Her's was the power I most wanted to have when I was into the tv show growing up. She's awesome! RIP, Mystique.
You were cooler when you were blue.